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I found this little nugget in one of my old notebooks, dated 4/22/06. At this point I don’t really remember the inspiration, but it’s possible it was an early poem about Tennessee Valentine’s man, who was/is supposed to be a lumberjack. Of course there’s a bit of me in there too, at least in the first full stanza; the rest is a bit weird, but I like it anyway.

Lumberjack Chic

Lumberjacks are in.

Tangled in the beard
with the brown red blond
are all the little things I never said.

Stubble wrapped in plaid flannel rags,
corduroy lapels, Bob Dylan’s tambourines.

A bump on the noggin reveals
what the nest protects
sparrowed back from the North Slope,
barn-swallowed and chickadeed on maple trees
frolicing in birdbath sunlight.

It’s sort of depressing to read something you’ve written and not remember why you wrote it. Clearly there are a couple interesting thoughts going on here. Maybe in time I’ll figure it out and make a real poem out of this.

Hey. How’s your Saturday going? Good. I was digging through the archives today and came up with some poems that have been inexplicably languishing in obscure blog posts on my old site, some of them for as long as three years! I’ve dusted them off and added them to my collection of uncollected poems (that is, those poems that aren’t represented in my two printed books). So here are eight new-to-you (probably) and nearly new-to-me poems. Enjoy, and feel free to comment, as always.

The Circus You Never Joined (This is one of the top 5 poems I’ve written. According to me anyway. For whatever reason it’s lived on only in an old blog post and has never been added to my “real” site. Until now!)

Baseball (I wrote this last summer. Part of me wants to add to it, part of me likes the minimalism of it.) 

Springtime #1 (These two “Springtime” poems are decidedly celebratory in nature. Springtime itself is reason enough to celebrate here in Minnesota, but I was also recovering from some serious winter writer’s block, so I was feeling especially joyful.)

Springtime #2

Sky-blue Hearts (This one’s about sailing in the Puget Sound with professor Alan Thorndike. I want to do some work on this poem – at this point it’s so specific that only people who have shared in this experience will understand it, and I’d like more people than that to understand it.) 

March Sunday (More springtime giddiness.)

Plums (This one I wrote last year. I had started to study the ancient Indo-European language a bit, and thought it would be interesting to write a poem using an I-E root as the starting point, and using all the modern words that have sprung from that root in the poem.) 

8/19 – 8/31 (Wrote this one in 2004 as I traveled through California on my way home from school. There’s a sadness in it that might come across as a “real” sadness, as in “I’m sad about this and this.” But it’s really this more…worldly sadness, a Kerouacian-Californian edge-of-the-continent melancholy that in reality is a quite pleasant feeling sometimes. The little passages are lifted directly from my journal. This poem needs some work.)

Passenger Seat

Bags of groceries,
oranges, laptop
Yeats’ collected poems,
two mittens.

The little oranges, satsumas,
speak to the sushi natively -
not in Japanese as you might expect,
but in Californian, both call that
their home. Dudes, bros, surf
lingo exchanged.

But the satsumas know their pedigree,
and in old verse tongues they
haiku on the joy of soy sauce.

The eggs lament their inevitable
boil into stiffness.

Yeats talks Cuchulain in code
with my old research papers, tells sidhe stories
to the wee salsas and goldfish. Milk sends an email.

Music comes on, a quick French thing
with accordion and a nice beat
and they all get microscopically jiggy with it,
as inanimate objects tend to do our glances
turn away.

Only the gloves are still -
frozen in glee as the peek
out the snow-smooched cold glass
and get ready for a lovely season ahead.

A Thought Unformed

What is the speed of dark?

The speed of light in reverse?
Or something slower, more languid,
a soft, creeping thing?

Nature abhors a vacuum,
yes, that we know.

But by god, it sure does love a paradox!

Next time I run into a photon,
I’ll be sure to ask him all about it.

I’ve been learning a lot about the Trans-Siberian railroad. So many things about it really fascinate me. The length, the history, its passengers and cargo. I like that it departs from civilization and arrives somewhere completely different, somewhere that’s in Russia, but outside of it. I like that it passes through desert, tundra, permafrost, forest, wheatfields so big you could fit Texas into them. This poem is about all that. This is very much a first draft, but I think it’s interesting enough to post. Ideally this poem will be finished if and when I ever get the chance to make the journey myself.

Trans-Siberian

It begins with a saint covered in mud
and stinking of Finnish salt.

Moves chugging and shaking like a copper kettle
filled with tea, waiting for honey

steaming, melting track slush away
from the narrowest path across
the biggest continent.

Haunted by the ghost of Tsarevich Nicholas,
who lives in the nighttime lights,
the red switch signals,
the lonesome whistle.

Black smoke on spires and striped minarets
chugging and rattling
porcelain cups ringing an endless mass
shortbreads dunked dribble on chin

stand up and look down the car,
dark heads bob and turn together
like the ryefields outside

soon there is nothing but the goat-feast
of steppe and tundra, thawing and freezing,
thawing and freezing, and soon there is
nothing at all.

We ride along edges, tiptoeing between
the deepest lake and the freezing desert,
between life and, well.

Silent. Dark heads bob and turn together.

Breath of vodka.

The air is so cold outside, but fresh,
fresh. Cleanest in the world. I can’t even imagine
the grime of the world from out here.

Parallel lines are infinitely parallel. Strapped
to the earth for thousands of miles (and longer),
permafrost impaled by iron.

After the emptiness we enter the boreal forests
with their phantom tigers; they watch closely as
we steam past.

Omsk, Ob, Novosibirsk. Yenisei, Taishet
Baikal Amur, Ulan Ude, Irkutsk Trans-Mongolia.
Birobidzhan, Amur, Khabarovsk, Vladivostok.

So far east, it’s become west.

The disembodied disembark
and mist quietly out to Sakhalin,

a dark and green place,

a cold and lonely place,

where souls go when their work is done.

Baseball

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I still feel like the game itself is pastoral, poetic and flawless. It’s beautiful no matter what level it’s played on.

- Singer/songwriter Will Johnson on baseball

Four-finger fast
on its way home

spin stitch-catch breeze
half-second

ash-thwacked and
heart-walloped
in a parabolic function, going,

a playful sunlit arc -

gone.

The smell of oil, grass,

the broken-hearted pinstripes,

the pant

of breath;

the crowd cheers.

March Sunday

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Heralded with bird-chirp and
goose-honk,
the wet dawn mist-beaming
and soil-roasting,
golden and
blackshadowed,
the earth full of
struggling, earthy things.

This is the gift
given us, our feast,
this is our new world.

Our drowsy souls in slippers,
toweled hair and creaking knees.

Eyes in bleary squint,
we ought not rub them soon.

Port-smoke barge-smoke,
the ships and shops our chimneys,

Commencement Bay our hearth
and home, singing a sweet old
shanty.

Vashon the prehistoric Buddha,
silent, immovable.

And us bobbing through the world,
sky-blue hearts tough as denim sails,
munching sliced apples and peanut butter,
bits of pear, hard scraps of bread and flaky
cheddar. Quietly.

Then he barks out physics lessons, his arms and body calm -
his shaking hands steady when put to the tiller;
the closest thing to a miracle I’ve ever seen.